chamber ensemble

On The And Of...

Scoring: 
cl, vn, vc, pf, perc
On The And Of was written at the request of the Newport Chamber Music Society for the Ernest Bloch Festival in the summer of 2006. Scored for the instruments of the Third Angle New Music Ensemble from Portland, the work was premiered on July 6, 2006, in Newport, OR.

INCONSEQUENCES

Composer: 
William DeFotis
Instrumentation freestyle: 
fl, cl, bsn, tpt, fh, tbn, 2vln, vla, vc, cb; cond; narr

UROBOROS

Composer: 
George Edwards
Instrumentation freestyle: 
fl, mand, gtr, cel, hp, hpschd, 2vla, vc

Instruments

MUSIC FOR BRASS QUINTET, PERCUSSION, AND PIANO

Composer: 
Frederic Goossen
Scoring: 
brass 5tet: 2-1-1-1; perc (3 players)

Instruments

EQUALE

Composer: 
Frederic Goossen
Scoring: 
Euphonium or tuba quartet

RECONCILIATION

Composer: 
Richard Cameron-Wolfe
Instrumentation freestyle: 
ob/eng hn, Bb/Eb cl, bsn, hn, tbn, 2 vln, vla, 2 vcl,

GOLDEN NET

Composer: 
Robert Parris
Instrumentation freestyle: 
Fl, Ob, Cl, Bsn, Hn, C Tpt, Vn, Vla, Vcl, Perc

SEVEN MINUTES FOR SEVEN PLAYERS

Composer: 
Mark Zuckerman
Instrumentation freestyle: 
Percussion Ensemble

Ensemble Type

Le miroir de l'ombre

Composer: 
Noel Zahler
Scoring: 
Piano Quartet: violin, viola, violoncello and piano

Composer's note: 

This composition was commissioned by the New York Chamber Music Festival for the New York Piano Quartet and is dedicated to the Festival's founder, the extraordinary violinist Elmira Darvarova.  The request for the work was for a short "reflexion" on the Mahler Quartet (1876).  As such, the composition derives its thematic material from one of the main motives of the Mahler, but treats it in an entirely personal manner.  As with most of my chamber music, I am interested here in the composite ensemble working as a single instrument.  I try to make each of the parts the performers perform interesting and expressive, but nonetheless challenging.  My hope is that both the listener and the performer will be intrigued by a glimpse into my imagination, here derived from Mahler, as I work with the sounds and rhythms that comprise my sonic vocabulary.

Ensemble Type

List Price: 
$22.50 score/parts

Three Autumn Sketches

Scoring: 
fl, cl, bsn, tpt, pf, vn, va, vc
This work was written for David Stock on occasion of his retirement from Duquesne University. It was composed during the early autumn of 2008.
List Price: 
$38.50 full score; $62.50 score with set of parts

ANGELS

Composer: 
Frederic Balazs
Instrumentation freestyle: 
fl, ob, cl, bsn, hn, tpt, tbn, hp, pf, boy soprano, bass guit, 2 vn, vla, vcl

AUTOMOBLIE GRAVEYARD

Composer: 
Robert Ceely
Instrumentation freestyle: 
Fl, ob, A Cl, Alto Sax, Bar, Sax, Bsn, Tpt, hn, tbn, pno/cel, vn, vla, vcl, bass, drum set
Emanu, trumpet player- Baritone Dilla, a young women- Soprano Milos, a bellhop- Bass-buffo Lasca, a middle-aged woman- Soprane Tiossido, a very young man- Tenor Tope, clarinet player- Tenor Fodere, a mute- Alto Sax

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