tape (audio) playback

tp

CHIMERA NO. 2

Composer: 
Scott L. Miller
Scoring: 
violin (amplified) with fixed media audio
List Price: 
$14.95 score with CD audio

FOUR MOBILES FOR DAVID

Composer: 
Elliott Schwartz
Instrumentation freestyle: 
solo percussionist, plus 2 audio playback tracks

Each of the two audio playback files may require a separate person to operate the audio in live performance. Audio tracks are based on materials created by sound artist, David Gamper (1945-2011).

HEARING DAVID

Composer: 
Elliott Schwartz
Instrumentation freestyle: 
solo instrument with audio playback

Composed in memory of David Gamper, who was Schwartz's student at Bowdoin College from 1964 through 1970, this work is to be performed simultaneously with a CD (Audio) recording of sounds created by Gamper. The background recording features a collection of sounds created by Gamper during his college years that have been assembled, edited, and processed by Schwartz into an accompaniment for a live performer. The score is a set of instructions for the performer, including improvisation notes from the composer.  David Gamper (1945-2011), Bowdoin class of 1967, was a composer-performer-sound artist, among others, was a member of the highly influential Deep Listening Band along with Stuart Dempster & Pauline Oliveros.

List Price: 
$11.95 score and CD or score/audio file for download

SEEING FORMS, HEARING VOICES

Composer: 
Robert Carl
Instrumentation freestyle: 
Soprano (also plays Tibetan finger cymbals), 4 low male voices, tpt, bs tbn, 2 perc, vln, vla, vcl, cb, keyboard sampler, audio playback,

Benedetto sia 'l giorno e 'l mese e l'anno              Blessed be the day and the month and the year
e la stagione e 'l tempo et l'ora e 'l punto             and the seasons and the time and the hour and the moment

List Price: 
$69.95 score with full set of parts, audio on CD

REMEMBERING DAVID: ECHO VARIATIONS

Composer: 
Elliott Schwartz
Instrumentation freestyle: 
cl, hn, vcl, pf, plus audio recording

Composed for the Bowdoin International Music Festival as a memorial to David Gamper (1945-2011), sound artist, and longtime member of Pauline Oliveros' Deep Listening Band.

Composer's note:

The “theme” for the variations is a musical spelling of David’s name; much of the subsequent pitch material derives from twelve-tone extensions of the basic motto. The instrumentation was chosen because David played both clarinet and cello; in addition, his Bowdoin senior-year honors project was a composition for solo horn and 20-second tape delay system.  (It is interesting to note that, even as an undergraduate, he was interested in the electronic transformation of acoustic instrumental timbre, plus the creation of “loops” and echo effects.)

 

Accordingly, REMEMBRING DAVID contains many repeated ostinati patterns (“echoes” of a sort), melodic passages passed from one instrument to another, and echo-sonorities produced by playing the clarinet and horn into the resonating chamber of a grand piano.

 

List Price: 
$42.95 score with parts, CD

Wind Quintet No. 2, "Birds of Guandu"

Composer: 
Robert Carl
Instrumentation freestyle: 
Flute (dbl pcc), oboe, clarinet in Bb, French Horn in F, Bassoon

SPARKLING IN THE DARK

Composer: 
Lawrence Dillon
Scoring: 
soprano saxophone, bassoon, electronics
List Price: 
$36.95 score, parts, CD audio

AUTOMOBLIE GRAVEYARD

Composer: 
Robert Ceely
Instrumentation freestyle: 
Fl, ob, A Cl, Alto Sax, Bar, Sax, Bsn, Tpt, hn, tbn, pno/cel, vn, vla, vcl, bass, drum set
Emanu, trumpet player- Baritone Dilla, a young women- Soprano Milos, a bellhop- Bass-buffo Lasca, a middle-aged woman- Soprane Tiossido, a very young man- Tenor Tope, clarinet player- Tenor Fodere, a mute- Alto Sax

Genre/Theme

subjacent queue

Composer: 
James Sain
Instrumentation freestyle: 
fixed media

subjacent queue (2009), for solo digital media, is about musical roots. Whether from a 15th-Century armed man or the contrabass of Charles Mingus, foundations are essential. The electroacoustic “urlinie” of subjacent queue is based in the composer's descent into his own concatenated musical and personal underpinnings.

redbird express

Composer: 
James Sain
Instrumentation freestyle: 
fixed media

redbird express (2010), for solo digital media, is an aural whirlwind journey through the internationally and topographically rich neighborhoods pierced by the No. 7 train of the New York City subway system Flushing Line. This line was the last in New York to see the World’s Fair era cars retired in 2003. Painted a red hue, the cars were nicknamed “Redbird.” After their retirement nearly 1300 retired Redbird cars were sunk off the US coastline to create artificial reefs. As a child, the composer visited the 1964 World’s fair in New York and was allowed by a conductor to push the button that opened the Redbird train’s doors upon arriving at the fair in Queens. Little did the composer know his fascination with these trains would turn musical 45 years later while visiting the city for the first annual New York City Electroacoustic Music Festival.

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