video

vid

ROPE & CHASM

Composer: 
Matthew Greenbaum
Instrumentation freestyle: 
mezzo soprano, video projections

An evening-length work for mezzo-soprano and video, based on Nietzsche's Also Sprach Zarathustra. It consists of a series of episodes in which the performer sings and speaks with a recorded musical score and reacts to the video characters who themselves speak. The score is composed and constructed from a variety of materials: modified sampled instruments, pure electronic sound and reworked fragments of other music. The video is made from 3d and morphing animation and found footage.

Instruments

THE STAR THEATRE

Composer: 
Beth Wiemann
Instrumentation freestyle: 
clarinet, piano and DVD

"The Star Theatre" uses digitally processed historic footage of early 20th-century theatrical performances, as well as photographs of old theaters and stages, within a contemplative work for clarinet, piano and electronic sound.

Instruments

List Price: 
$21.95 score+part + DVD

STAND FACING THE STOVE

Composer: 
Beth Wiemann
Instrumentation freestyle: 
bass clarinet, video (dvd) projections

Instruments

THE PRIMARY TOOL IS SOUP

Composer: 
Beth Wiemann
Instrumentation freestyle: 
soprano, piano, DVD projection

Instruments

Dodge at Mann Gulch

Composer: 
Beth Wiemann
Instrumentation freestyle: 
for B-flat clarinet, electronic sound and video

Program note:
The text seen in the video accompanying the performer and
electronic sound in this piece includes a few sentences from chapters 3
and 5 of Norman MacLean’s book Young Men and Fire. That work
describes the happenings on August 5, 1949 in Montana during the
Mann Gulch fire that killed 12 firefighters who had parachuted into
the wilderness. On that day, crew chief Wag Dodge was able to set an
escape fire so that the main forest fire could wash over him while he
lay in the ashes. Dodge was not able to convince any others in the
crew to go into the area of the escape fire.

A CHANGE IN THE WEATHER

Composer: 
Beth Wiemann
Instrumentation freestyle: 
for piano and electronic sound and video

Program note:
This piece uses processed footage and sound from various storms and lulls captured
during the 2004-05 winter season. These manipulated shots form the backbone of the
DVD-accompaniment part, though natural weather sounds are increasingly obscured by
music inspired by an old Nina Simone song. The contrast between these elements is
given a narrative shape in the piano part, which pits slow-moving sostenuto-pedal style
harmonies against sections of two-part rhythmically active polyphony. The sections of
long resonating piano chords are also set apart by the use of a short occasional poem by
Marianne Moore which appears on the screen during these parts of the piece.

ON THURSDAY

Composer: 
Beth Wiemann
Instrumentation freestyle: 
soprano, cello, electronic sound and video accompaniment

Instruments

Reliquary of Labor Suite

Composer: 
Ken Steen
Instrumentation freestyle: 
3 sound and video pieces

FOR HE IS GOOD TO THINK ON

Composer: 
Beth Wiemann
Scoring: 
flute, clarinet, and DVD

CROWS EVERYWHERE ARE EQUALLY BLACK

Composer: 
Beth Wiemann
Instrumentation freestyle: 
clarinet, 'cello, DVD (audio/visual)

This work features live performers “playing along” with a DVD of an accompaniment movie, so that visuals will be projected above or to the side of the performers, and the soundtrack of the DVD will be heard over a stereo playback system.

The performers, who are reading a performance score, should follow the cuing directions in the score in order to maintain synchronization with the DVD playback. There are also “stopwatch” timings in the score, so if one of the performers starts a stopwatch at the beginning of the DVD, these timings can be used as a backup system for synchronization.

Depending on the size of the hall, amplification may be necessary for the performers, through traditional microphones and speakers. These may be mixed in with the DVD sound, but in larger sound systems, with diffusion, may be kept separate from the DVD playback.

The accompaniment movie was produced in Final Cut, with sounds being processed beforehand in Reason and Soundhack software. Processing of the video elements, particularly in terms of speed, was done directly in Final Cut.

Instruments

ADJUSTING THE SAILS

Composer: 
Beth Wiemann
Scoring: 
Women's chorus, DVD (audio/visual)

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TRILOGY, VIDEO ONE

Composer: 
Burton Beerman
Instrumentation freestyle: 
VIDEO, COMPUTER MUSIC

QUARTET

Composer: 
Burton Beerman
Instrumentation freestyle: 
tbn, tape, 3 videos

Genre/Theme

STILL, SMALL VOICE, A

Composer: 
Burton Beerman
Instrumentation freestyle: 
Cello, Video, Dancer

Instruments

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