strings

str

MARFANTASIE

Composer: 
Robert Carl
Instrumentation freestyle: 
fl/alto fl, 2 alto sax, bscl, elec guit, Perc (1), 6 vlns, 2 vla, 2 vcl, 1 cb

Composer's note: Marfantasie takes its name from the tiny American Western town of Marfa, which is home to the Chinati Foundation, Donald Judd’s collection of conceptual art, both his own and of like-minded artists. It is a strange conflation of cowboy culture and the avant-garde. In celebration of this incongruous American landscape, both natural and cultural, the two movements: 1) the vast seemingly empty---though actually fantastically active---desert landscape, and 2) the succession of seemingly similar---yet highly detailed, crafted, and varied--- basic forms that make up Judd’s art.

List Price: 
$22.95 conductor's score

Haute Dance

Composer: 
Lansing McLoskey
Instrumentation freestyle: 
Baroque violin, tenor viola da gamba, and theorbo

Instruments

PART I: HAUTE DANCES

I.             Beanchaes Brawl
II.           Haut Gavotte
III.          Double Branle
IV.          Krrranto (coranto)
V.           The Queen’s Pleasure
               aka “The Betty Hop” (lavolta)

PART II: BASSE DANSE

VI.          Basse Danse: piangere infinito
             (or: "Dancing with Tears in my Eyes")     

Composer's note:

SOUND MERGER

Composer: 
Arthur Kreiger
Instrumentation freestyle: 
fl,ob,cl,bscl,hn,tpt,tbn,perc(2), 5-part strings, electronic sounds

FOUR BRIEF PIECES

Composer: 
Raoul Pleskow
Scoring: 
orch: 1-1-1-1; 1-0-0-0; str

THE SCHUMANN TRILOGY

Composer: 
Lawrence Dillon
Scoring: 
sop, msop, alto, ten, actor, 2.2.2.2 - 2.2.1.0 – perc, pno, strings

A consortium of orchestras, including The Idyllwild Arts Academy Orchestra, the Salt Lake Symphony, the Boise Philharmonic, the Mansfield Symphony and the University of Utah Philharmonia have commissioned the Schumann Trilogy to celebrate the bicentennial of Robert Schumann’s birth in 2010.  The trilogy was premiered at the REDCAT Theater in Los Angeles by the Idyllwild Arts Academy Orchestra, Peter Askim, Music Director on May 8th, 2010.  It is comprised of three pieces -- Figments and Fragments, Cool Night and Genealogie -- which can be performed together or separately.

BUT, THE MOON

Composer: 
William Hellermann
Instrumentation freestyle: 
solo gtr, ob, cl, bsn, pf, perc, str

BALLADE FOR VIOLA AND STRINGS, Op. 47

Composer: 
James Beale
Instrumentation freestyle: 
solo vla,str: 2-1-1-1

Instruments

REFLECTIONS AT THE BRONX ZOO

Composer: 
Edward J. Miller
Scoring: 
orch: 2-2-2-2/cbsn,4-3-3-1,3perc,hp(or pf),str

Ensemble Type

Instruments

ORCHESTRAL FANTASIES

Composer: 
Edward J. Miller
Scoring: 
orch:pic-2-2-ehn-2-bcl- 2-2-cbsn,4-3-2-btbn-1,perc,hp,str

Ensemble Type

Instruments

ORCHESTRAL CHANGES

Composer: 
Edward J. Miller
Scoring: 
orch:2/pic-2/ehn-s/bcl-2-cbsn, 4-2/pic tpt-2/btbn-1,hp,cel,perc,str

Ensemble Type

IMAGES FROM THE EYE OF A DOLPHIN

Composer: 
Edward J. Miller
Scoring: 
2.2.2.2 1.1.1.0 perc, hp, kybd, str

Instruments

ANTI-HEROIC AMALGAM

Composer: 
Edward J. Miller
Scoring: 
orch:pic-2-2-ehn-2-bcl-2-cbsn, 4-3-3-1,timp,xyl,vibe,hp,str

Ensemble Type

Instruments

ANACRUSIS

Composer: 
Edward J. Miller
Scoring: 
orch:4-4-4-3,6-4-3-1,3perc,timp,hp,str

Ensemble Type

Instruments

TRIPTYCH

Composer: 
John Stewart McLennan
Scoring: 
orch:2-2-ehn-2-bcl-2-cbsn,4-3-3-1,timp,str

Ensemble Type

Instruments

SYMPHONIC INTERLUDE 4

Composer: 
Otto Luening
Scoring: 
orch:pic-1-1-ehn- 1-bcl-1-cbsn, 1-1-1-1,perc,cel,hp,str

Ensemble Type

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