alto flute

altfl

THE INDIGO ROOFTOP OF THE NIGHT

Composer: 
Jan Gilbert
Instrumentation freestyle: 
Soprano, alto flute, viola, cello

DECEMBER

Composer: 
Harvey Sollberger
Instrumentation freestyle: 
alto flute

Instruments

Quartet for Violin, Alto Flute, Trumpet, and Contrabass

Composer: 
Griffith Rose
Scoring: 
alto fl, tpt, vln, cb

Ensemble Type

for Bert Turetzky

SONGS OF TRANSFORMATION

Composer: 
Jan Gilbert
Instrumentation freestyle: 
SATB choir, with Persian Ney, or Alto Flute

Ensemble Type

Composer's note:

Songs of Transformation, commissioned by Dr. Eugene Rogers for the Macalester College Choir, is inspired by the poetry of the 14th-century Persian poet Hâfez and the music of Hossein Omoumi.   

The first song, Kashti-ye bâdeh, is an arrangement of Professor Omoumi's original composition "Gusheh-ye Kereshmeh."  The second song "The Earth lifts its glass..," a setting of "A Crystal Rim" by the contemporary poet Daniel Ladinsky, juxtaposes the choral setting with the ney/flute solo, arranged by Hossein Omoumi.  Both texts are centered in Sufi philosophy.

List Price: 
$11.50 first copy; additional copies for performance, call for prices

CANONS

Composer: 
Robert Ceely
Instrumentation freestyle: 
alto fl, a cl, bsn

Ensemble Type

WIND SPACE

Composer: 
Brian Schober
Instrumentation freestyle: 
alto fl, bass cl, pf

ON CANNIBALS

Composer: 
Matthew Greenbaum
List Price: 
$19 score and set of parts

CAPRICCIO

Composer: 
Fred Cohen
Instrumentation freestyle: 
Woodwind Quintet (Fl/afl, ob/Ehn, cl, bsn, hn) and Piano
Single movement for Woodwind Quintet and Piano. Commissioned by the University of Louisville Faculty Woodwind Quintet.

THREE PIECES IN CRYSTAL

Composer: 
Lee Gannon
Instrumentation freestyle: 
fl/afl/pic, hp

Ensemble Type

zambaah

Composer: 
Lansing McLoskey
Instrumentation freestyle: 
fl/picc/alto, cl/bcl, vln, vcl, pno
Written for and premiered by The Fromm Players at Harvard
List Price: 
$34 score + set of parts;

MACCHU PICCHU

Composer: 
Raymond Luedeke
Instrumentation freestyle: 
pic/fl/alfl,cl(A,Bb,Eb),vln,vla,pf

THE OTHER SIDE OF TIME

Composer: 
Brian Fennelly
Instrumentation freestyle: 
25 winds, timpani, percussion (4)
Scoring: 
3(pic,afl)-3(Ehn)-3(bcl, cbcl)-3(cbsn), 4-3(flglhn)-3(btrom)-2(euph), Timp/Chimes-perc(4)
The Other Side of Time was written for the New England Conservatory Wind Ensemble at the request of its director, Charles Peltz. It is scored for 25 wind instruments, timpani, and 4 percussionists. After a brooding beginning, each of its contiguous sections develops at a different but related tempo, often moving within from lyrical lines to dramatic outbursts. The final section, at the original tempo, recalls the material of the opening and its anxious percussion activity. While the piece is meant to reflect some kind of spiritual journey, the title is actually taken from a book by paleontologist/geologist Robert Titus on the origins of the Catskill Mountains in New York State.
List Price: 
$29.50 size 11 x 14
List Price: 
$25.50 size 10 x 13
List Price: 
set of 28 parts plus extra horns $210 (9 x 12 concert size)

METAMIR acoustic version

Composer: 
Robert Ceely
Instrumentation freestyle: 
alto flute, bass clarinet, viola, piano

Ensemble Type

Revised version, all acoustic - previous tape part reconceived for instruments

List Price: 
$39 score + set of parts;
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