contrabass clarinet

CbCl

SOUNDSOUP

Composer: 
Erik Lundborg
Instrumentation freestyle: 
fl/pic, cl(BbEb), cbcl, bsn, tpt, tba, perc, pf

THE OTHER SIDE OF TIME

Composer: 
Brian Fennelly
Scoring: 
3(pic,afl)-3(Ehn)-3(bcl, cbcl)-3(cbsn), 4-3(flglhn)-3(btrom)-2(euph), Timp/Chimes-perc(4)
Instrumentation freestyle: 
25 winds, timpani, percussion (4)
The Other Side of Time was written for the New England Conservatory Wind Ensemble at the request of its director, Charles Peltz. It is scored for 25 wind instruments, timpani, and 4 percussionists. After a brooding beginning, each of its contiguous sections develops at a different but related tempo, often moving within from lyrical lines to dramatic outbursts. The final section, at the original tempo, recalls the material of the opening and its anxious percussion activity. While the piece is meant to reflect some kind of spiritual journey, the title is actually taken from a book by paleontologist/geologist Robert Titus on the origins of the Catskill Mountains in New York State.
List Price: 
$29.50 size 11 x 14
List Price: 
$25.50 size 10 x 13
List Price: 
set of 28 parts plus extra horns $210 (9 x 12 concert size)

A RIOT OF REEDS (clarinet choir)

Composer: 
Elliott Schwartz
Instrumentation freestyle: 
Ebcl, Bbcl, alt cl, bass cl, cb cl

clarinet ensemble, featuring five different clarinets

List Price: 
$12.95

A SUNFLOWER FOR MAGGIE

Composer: 
Richard Moryl
Scoring: 
cbcl, perc, pf
projected slides of Georgia O'Keefe paintings

Ensemble Type

VARIATIONS FOR BAND

Composer: 
Edith Borroff
Scoring: 
pic-2-2-eh-Ebcl -3-alcl-bcl-contbcl-2-2asax-tsax-barsax-bs sax, 4-2-3cor-2fhn-3-euph-tb,hp,timp,xyl,perc,cb

CHÉRI

Composer: 
Michael Dellaira
Instrumentation freestyle: 
3 sopranos, 2 altos, 1 mezzo, 2 tenors, 1 Bass, reeds, violin, cello, synthesizer

Opera in 2 acts, on a libretto by Susan Yankowitz, after the 1921 novel by Colette. The Actors Studio workshop production, May 6-9, 2005. The story reflects a love affair cast as a bittersweet meditation on that moment when all persons "of a certain age" realize they have crossed the invisible meridian that separates their youth from what is left of their lives.

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